Traditional mas is a staple of TT’s culture, preserving the stories of our past through the remarkable displays of creativity that Carnival has become known for.

But under the rich history, masterfully crafted costumes and vibrant celebrations lies a struggle among small, community-based groups for the sustenance of the artform.

Head of the St James Social and Cultural Committee, Anthony Alleng, who has been involved in Carnival since childhood says the promotion of traditional mas only during Carnival hinders its progress.

“Outside of Carnival there is really no activity for traditional mas,” he told Business Day on February 24.

[caption id="attachment_1141300" align="alignnone" width="1024"] A masquerader brings a taste of the Carnival tradition, as a fancy Indian during the Point Fortin Borough Day parade of the bands in 2024. Traditional mas leaders are calling for more events outside of Carnival. - Photo by Ayanna Kinsale[/caption]

“...The younger people don’t know about it unless their parents are taking part in it, but even then we don’t highlight it too much, we take it for granted that it (competitions) happen."

Alleng organisation holds the traditional mas competition at the St James Amphitheatre each year. But outside of the Carnival season, he says traditional mas characters are only featured occasionally at events.

In light of this, he says more marketing is needed on a national level. He encouraged the idea of traditional mas groups lobbying the government to hold traditional mas presentations throughout the year.

“We want there to be a total presence of traditional mas in a big way.”

However, a lack of promotion is not the only major issue. Limited funding, Alleng says, is also hindering progress. With government policy dictating that 60 per cent of the competition's funding has to go towards prizes, he is left with just 40 per cent to cover the unending administrative and labour costs. This leaves him to fund much of it himself.

Added to that, Alleng says the allocations seem to be reducing as the money he received for the organisation of this year’s traditional mas was less than last year’s.

And this does not only apply to him.

“All of the groups are struggling from the same thing,” he said

“...They just want to be able to sustain themselves but they never get adequate funds.”

Assistance from the private sector is also scarce. He says despite requests for sponsorship being minuscule in comparison to the profit margins of companies, requests are often denied.

“They do not think highly of the traditional mas.”

But despite this Alleng remains committed to the artform. The 77-year-old says he will continue his work in traditional mas until his strength fails.

“The show will go on once I have the strength.

“…It’s not a job for me, it’s a love and you have to have the love for it, otherwise, forget it.”

A labour of love

Love is exactly what gave birth to JCE Mas Productions based in Gran Couva, Caroni.

The group is run by a husband and wife team of Jason Mohamm