From the moment she walked on stage, there was the distinct atmosphere of watching a play. Mitski looks out into the audience, but she does not speak to them. There is no banter between songs. Only a brief, completely dark pause. Her face displays different emotions for each song — at times longing — other times fierce. Mitski dances with choreography that’s both expressive and abstract. During “Goodbye, My Danish Sweetheart” she plays with a paper airplane, then throws it into the crowd.

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