Visually all looks OK. Just OK. The netherworld called The Void posed a great chance for the production designer (Ray Chan), art directors (Victoria Allwood, Tim Blake), set decorator (Naomie Moore) and costume designers (Graham Churchyard, Mayes C. Rubeo) to set a time and place that would be wondrous and indelible. Instead, the colors look parched, the sets are bland and costumes too. Also, either the computer-generated images are way too soft, or the cinematography (George Richmond) failed to make these visions clear, vivid and color saturated. In George Miller’s recent Furiosa: A Mad Max Saga, the director and his amazing tech crew created worlds within worlds that were stunning and unforgettable. No setting, scenery or location in this film reaches that level.